BEST REGARDS,
THE MAESTRO TEAM.
Tuesday, December 22, 2009
1000 FANS!!!!!!!
WE HAVE REACHED 1000 FANS ON FACEBOOK!!!!!!!! THANK YOU FOR YOUR CONTINUED SUPPORT. THE MANAGEMENT WOULD LIKE TO TAKE THIS OPPORTUNITY TO WISH ALL OUR CUSTOMERS A VERY MERRY CHRISTMAS AND A HAPPY NEW YEAR!!!
Saturday, December 19, 2009
NEW! SD-1X: Limited Edition
Hello fellow guitarists,
I am excited to present you with the new and limited edition SD1-X.
The SD1-X is specially created to commemorate our 5th anniversary from the day we opened our doors in 2004.
The SD1-X is an upgraded version of the existing SD1, featuring a scalloped bracing system found only in our higher-priced models.
There are only a hundred pieces available, so come get yours. Strictly while stocks last!
----------------------------------------------------------------------
WHAT IS A 'SCALLOPED' BRACING?
In the event that someone reading this announcement might wonder what is this whole 'scalloped' bracing fuss is about, I shall take a moment to further elaborate.
First we need to know what guitar bracings are. Guitar bracings perform two very different functions; to strengthen the top while still allowing it to vibrate sufficiently to produce a good tone. A thin top without bracings would just buckle under the tension of the strings. A thick top that is thick enough to do without bracings would not vibrate enough and will just have a thin tone and poor projection.
So the best of both worlds is to have a thin top with bracings.
Bracings play a major role in determining the tone of your guitar as well. The placement, the pattern, physical shape of the bracings all affect the final voicing and tone of the instrument as much as the actual tone-wood itself. Taylor Guitar's distinctive voicing is heavily influenced by their bracing patterns, likewise, vintage Martin guitars are highly prized for their forward shifted, scalloped X-bracings.
Majority of steel-string dreadnoughts spot the 'X' pattern bracings which was originally developed by C.F Martin back in the 1850's. This pattern provides strength and a well-balanced tonal palette that appeals to most.
Pre-war Martins have a bracing pattern that many enthusiasts believe to be the best. This 'holy grail' of bracing-patterns is basically a forward-shifted, scalloped X-bracing. The 'scalloping' refers to wood being selectively removed from certain areas on the braces to weaken the top enough to allow it to vibrate freely without weakening it so much that it becomes structurally unsound.
And now we are featuring the same, famed scalloped X-bracings on our SD1 models.
The scalloped X-bracing gives the SD1-X a lot more clarity and definition, it is also audibly louder and more resonant. Perhaps the most obvious difference is in the added low-end response, and the guitar sounds much fuller and has more 'body'.
Don't just take my word for it, come down and try it for yourselves.
regards,
Phil
I am excited to present you with the new and limited edition SD1-X.
The SD1-X is specially created to commemorate our 5th anniversary from the day we opened our doors in 2004.
The SD1-X is an upgraded version of the existing SD1, featuring a scalloped bracing system found only in our higher-priced models.
There are only a hundred pieces available, so come get yours. Strictly while stocks last!
----------------------------------------------------------------------
WHAT IS A 'SCALLOPED' BRACING?
In the event that someone reading this announcement might wonder what is this whole 'scalloped' bracing fuss is about, I shall take a moment to further elaborate.
First we need to know what guitar bracings are. Guitar bracings perform two very different functions; to strengthen the top while still allowing it to vibrate sufficiently to produce a good tone. A thin top without bracings would just buckle under the tension of the strings. A thick top that is thick enough to do without bracings would not vibrate enough and will just have a thin tone and poor projection.
So the best of both worlds is to have a thin top with bracings.
Bracings play a major role in determining the tone of your guitar as well. The placement, the pattern, physical shape of the bracings all affect the final voicing and tone of the instrument as much as the actual tone-wood itself. Taylor Guitar's distinctive voicing is heavily influenced by their bracing patterns, likewise, vintage Martin guitars are highly prized for their forward shifted, scalloped X-bracings.
Majority of steel-string dreadnoughts spot the 'X' pattern bracings which was originally developed by C.F Martin back in the 1850's. This pattern provides strength and a well-balanced tonal palette that appeals to most.
Pre-war Martins have a bracing pattern that many enthusiasts believe to be the best. This 'holy grail' of bracing-patterns is basically a forward-shifted, scalloped X-bracing. The 'scalloping' refers to wood being selectively removed from certain areas on the braces to weaken the top enough to allow it to vibrate freely without weakening it so much that it becomes structurally unsound.
And now we are featuring the same, famed scalloped X-bracings on our SD1 models.
The scalloped X-bracing gives the SD1-X a lot more clarity and definition, it is also audibly louder and more resonant. Perhaps the most obvious difference is in the added low-end response, and the guitar sounds much fuller and has more 'body'.
Don't just take my word for it, come down and try it for yourselves.
regards,
Phil
Tuesday, December 8, 2009
Custom Series In!
Hello,
The custom series is in. Limited quantity so its first come first serve basis (no reserves). Thanks for the continued support. see you all soon. :)
Regards,
Isaiah
Monday, December 7, 2009
Belcat GT-5 Guitar Transducer: NEW!
Hi folks,
Since we are on the topic of acoustic amplification, here is a new product that will surely appeal to the 'purists'.
Presenting the Belcat GT-5 Guitar Transducer. (Special introductory price: $29.90)
Some guitarists, especially classical guitarists, sometimes wish to keep their prized guitar 100% intact and complete i.e no drilling, no routing/cutting of any kind. So that pretty much rules out most of the pickup systems out there, because even the least invasive ones require you to drill a small hole at the bottom for the input jack.
This is when pickup systems such as the Belcat GT-5 come into play. They require absolutely no drilling or modification.
And it sounds great too. We gave it a run and it proved to be transparent enough to bring out the true character of your guitar.
If you are looking for an affordable and good-sounding pickup that requires no modification to your guitar, give the Belcat GT-5 a try, we are certain that you will be pleased.
regards,
Phil
Thursday, December 3, 2009
NEW! Headway EDB-1 Acoustic Preamp.
Hello all,
The Headway EDB-1 Acoustic Preamp is one product that we have been waiting a long time for, and we are very excited that it has finally reached our shores. The prefix 'EDB' is short for Equalizer Direct Blend.
If you are familiar with the Headway Shire King acoustic amplifiers, you would know that Headway has an elevated status in the acoustic guitar world, and for good reason too.
This particular preamp has been generating so much attention on the various forums, long before Headway even started shipping it, and I have read nothing but rave reviews for it. I cannot wait to actually try it out myself.
The EDB-1 is their first foray into the preamp/D.I box realm, and I feel that they have really outdone themselves with this little magic-box.
In a nutshell, the EDB-1 is a mega-multipurpose, pro-audio quality, compact external preamplifier box.
Here are some key feature of the EDB-1, I shall highlight and run through some of the more interesting features later on in the review.
- Pro-audio quality
- Refined Class “A” inputs with 2 FET stages
- Mono/Stereo input jacks
- XLR input
- Switchable input impedance to optimize various pickup types
- 3-way “Range” control selects high-pass filter (guitar, bass and violin)
- 2 channels
- 5-band interactive EQ
- Tunable Notch Filter with variable band-width with in/out switch
- Phantom power to inputs via switch.
- Balanced XLR line-out (mix of 2 channels)
- Earth-lift switch
- True-mute switch
- Jack line-out in mono-mix of 2 channels
- Powered either by battery or external 18V adaptor
- Low battery indicator
- Mount via rubber-feet, belt-clip or optional mic stand bracket
- Weight = 500g
- L=138mm, W=93mm, H=38mm (or 43mm including knobs)
REVIEW:
Upon un-boxing, the first thing that struck me was how light and compact the EDB-1 is.
Looking at its specifications prior to actually handling it, I was genuinely expecting something a lot bulkier, considering how many functions and features this box has.
With it being so light and compact, it would fit nicely into the front of most guitar cases without causing too much of a bulge.
The enclosure itself is a classy black, textured one that is not unlike the enclosures of the newer Barber pedals. The textured enclosure not only looks good, but helps with giving the box more grip in your hands. And being matte, your fingerprints are not visible.
The knobs are small enough to remain low-profile, yet big enough to fiddle with on the fly easily.
Overall construction is superb, This preamp is built to last.
The EDB-1 can be powered by two 9V batteries or through an external power supply. This battery function is especially useful, and furthermore, it boasts 100hours of usage with phantom power engaged.
Next thing that impressed was the existence of switches for the common features, such as a power switch, true-mute switch, in/out switch for the notch-filter and phantom power switch.
Yes, it is a simple thing, but you would be surprised at how many preamps lack an on/off, mute, and in/out switch for the notch filter.
These switches avails to the user a lot more control over the preamp, and is a much welcome feature for me.
The layout is simple and very intuitive, it is evident that Headway has put a lot of thought into making this product.
The EDB-1 has two input channels, each with an individual gain control.
The gain control works great here, say sometimes if you wish to fade into the mix, or to have more presence and want to cut through the mix, it is all here at your fingertips with the gain-control knob.
The interactive 5-band EQ is comprehensive and has a very usable range.
It was very easy to dial in some nice tones, and it did not take me long to find the sweet spot for the guitar that I was testing the preamp with.
Tone wise, I was taken aback by how warm and lush the EDB-1 sounds; very musically pleasing and not the slightest bit artificial. Clarity is impressive too, and so is the noise level, there is literally none that I can hear of.
For further tweaking, there is the impedance switch and notch filter to fiddle with.
The impedance switch has three modes, +Hi at >20MegOhm, Hi at >5MegOhm and Active & Instr at >1MegOhm.
It basically allows you to optimize the EDB-1 with your pickup type for the best possible tone.
'+Hi' at >20MegOhm is optimized for the feed of ultra high impedance passive pickups, 'Hi' at >5MegOhm would be most suited for commonly used passive, under-saddle ceramic pickups while the 'Active & Instr' at >1MegOhm is best for normal active pickups.
We tried this mode with high-output passive pickups, it works too, but there is an audible treble roll-off.
The notch filter comes with an in/out switch, and also a Q width and Freq controls.
It is extremely versatile and acts as a very good supplementary tone control to the 5-band EQ. It can be used subtly or severely, depending on your needs. It is also the most precise method of eliminating problematic sounds such as feedback, excessive boominess, body-handling noise, background rumble, honky upper-mids, muddy lower-mids, ice-picky highs, etc.
And on the topic of extraneous noise, the EDB-1 has a ground lift (earth lift) switch to eliminate the earth hum or 'hum loops', if you are encountering any. And also there is the Phase Reverse switch, which can also help with eliminating feedback. More on the Phase reverse; switching to 'reverse' reverses the polarity of the signal in CH2. There are times where signals from two different types of transducers, such as piezo pickups and mic, for example, are out of phase. In this case, as you turn up the Gain to mix the two signals, you may experience a drop in level or a 'thinning' out of your tone. If this happens, setting the phase switch to reverses helps.
Another unique feature of the EDB-1 that we especially liked is the 3-way range control. What it does is to set a high-pass filter, which rolls of low freq according to the requirements of the three key instruments that it supports: Guitar/ Bass/ Violin. In essence, the EDB-1 can be optimized for these three instruments, and I also discovered by accident that the Range switch may be countered by playing the L.Mid of the EQ section. Useful little tip there for you.
And then there is the phantom power feature.
We tested it with a commonly available condenser mic and it works perfectly. It is also switchable to 12V mode to CHN1, enabling the external powering of active pickup systems onboard the instrument, with no battery inside the instrument itself.
In summary, this preamp is a winner.
It is a beautifully voiced unit, and I cannot emphasize that point enough. It just sounds awesome.
Furthermore, it packs into a elegant, compact unit a ton of practical and usable features to cater to the diverse and demanding needs for high-quality acoustic musical instrument amplification.
Also, for preamps, it is by far one of the easiest and most intuitive units I have used to date.
I can foresee it being a total hit with both gigging musicians as well as pro-studio usage.
The EBD-1 would invariable be compared to the popular LR Baggs Para-DI.
And here is a little comparison for you; the EDB-1 can do everything that the Para-DI can and much more, except that it does not have an effects loop.
Here are the additional features of the EDB-1 that the PARA-DI does not have.
- Supplies phantom power to condenser mic or other other source
- Two input channels
- True mute
- XLR input
- 1/4” + TRS input
- High-Pass Filtering
- Switchable impedance
- Switchable in/out for notch filtering
- Ground Lift
- Can be powered by batteries
If you ask me, I would readily admit that I love this preamp.
It can do everything I need, and more. And it does what it does very well.
In the words of a fellow guitarist, “Why didn't anybody think of making something like this earlier?”
regards,
Phil
The Headway EDB-1 Acoustic Preamp is one product that we have been waiting a long time for, and we are very excited that it has finally reached our shores. The prefix 'EDB' is short for Equalizer Direct Blend.
If you are familiar with the Headway Shire King acoustic amplifiers, you would know that Headway has an elevated status in the acoustic guitar world, and for good reason too.
This particular preamp has been generating so much attention on the various forums, long before Headway even started shipping it, and I have read nothing but rave reviews for it. I cannot wait to actually try it out myself.
The EDB-1 is their first foray into the preamp/D.I box realm, and I feel that they have really outdone themselves with this little magic-box.
In a nutshell, the EDB-1 is a mega-multipurpose, pro-audio quality, compact external preamplifier box.
Here are some key feature of the EDB-1, I shall highlight and run through some of the more interesting features later on in the review.
- Pro-audio quality
- Refined Class “A” inputs with 2 FET stages
- Mono/Stereo input jacks
- XLR input
- Switchable input impedance to optimize various pickup types
- 3-way “Range” control selects high-pass filter (guitar, bass and violin)
- 2 channels
- 5-band interactive EQ
- Tunable Notch Filter with variable band-width with in/out switch
- Phantom power to inputs via switch.
- Balanced XLR line-out (mix of 2 channels)
- Earth-lift switch
- True-mute switch
- Jack line-out in mono-mix of 2 channels
- Powered either by battery or external 18V adaptor
- Low battery indicator
- Mount via rubber-feet, belt-clip or optional mic stand bracket
- Weight = 500g
- L=138mm, W=93mm, H=38mm (or 43mm including knobs)
REVIEW:
Upon un-boxing, the first thing that struck me was how light and compact the EDB-1 is.
Looking at its specifications prior to actually handling it, I was genuinely expecting something a lot bulkier, considering how many functions and features this box has.
With it being so light and compact, it would fit nicely into the front of most guitar cases without causing too much of a bulge.
The enclosure itself is a classy black, textured one that is not unlike the enclosures of the newer Barber pedals. The textured enclosure not only looks good, but helps with giving the box more grip in your hands. And being matte, your fingerprints are not visible.
The knobs are small enough to remain low-profile, yet big enough to fiddle with on the fly easily.
Overall construction is superb, This preamp is built to last.
The EDB-1 can be powered by two 9V batteries or through an external power supply. This battery function is especially useful, and furthermore, it boasts 100hours of usage with phantom power engaged.
Next thing that impressed was the existence of switches for the common features, such as a power switch, true-mute switch, in/out switch for the notch-filter and phantom power switch.
Yes, it is a simple thing, but you would be surprised at how many preamps lack an on/off, mute, and in/out switch for the notch filter.
These switches avails to the user a lot more control over the preamp, and is a much welcome feature for me.
The layout is simple and very intuitive, it is evident that Headway has put a lot of thought into making this product.
The EDB-1 has two input channels, each with an individual gain control.
The gain control works great here, say sometimes if you wish to fade into the mix, or to have more presence and want to cut through the mix, it is all here at your fingertips with the gain-control knob.
The interactive 5-band EQ is comprehensive and has a very usable range.
It was very easy to dial in some nice tones, and it did not take me long to find the sweet spot for the guitar that I was testing the preamp with.
Tone wise, I was taken aback by how warm and lush the EDB-1 sounds; very musically pleasing and not the slightest bit artificial. Clarity is impressive too, and so is the noise level, there is literally none that I can hear of.
For further tweaking, there is the impedance switch and notch filter to fiddle with.
The impedance switch has three modes, +Hi at >20MegOhm, Hi at >5MegOhm and Active & Instr at >1MegOhm.
It basically allows you to optimize the EDB-1 with your pickup type for the best possible tone.
'+Hi' at >20MegOhm is optimized for the feed of ultra high impedance passive pickups, 'Hi' at >5MegOhm would be most suited for commonly used passive, under-saddle ceramic pickups while the 'Active & Instr' at >1MegOhm is best for normal active pickups.
We tried this mode with high-output passive pickups, it works too, but there is an audible treble roll-off.
The notch filter comes with an in/out switch, and also a Q width and Freq controls.
It is extremely versatile and acts as a very good supplementary tone control to the 5-band EQ. It can be used subtly or severely, depending on your needs. It is also the most precise method of eliminating problematic sounds such as feedback, excessive boominess, body-handling noise, background rumble, honky upper-mids, muddy lower-mids, ice-picky highs, etc.
And on the topic of extraneous noise, the EDB-1 has a ground lift (earth lift) switch to eliminate the earth hum or 'hum loops', if you are encountering any. And also there is the Phase Reverse switch, which can also help with eliminating feedback. More on the Phase reverse; switching to 'reverse' reverses the polarity of the signal in CH2. There are times where signals from two different types of transducers, such as piezo pickups and mic, for example, are out of phase. In this case, as you turn up the Gain to mix the two signals, you may experience a drop in level or a 'thinning' out of your tone. If this happens, setting the phase switch to reverses helps.
Another unique feature of the EDB-1 that we especially liked is the 3-way range control. What it does is to set a high-pass filter, which rolls of low freq according to the requirements of the three key instruments that it supports: Guitar/ Bass/ Violin. In essence, the EDB-1 can be optimized for these three instruments, and I also discovered by accident that the Range switch may be countered by playing the L.Mid of the EQ section. Useful little tip there for you.
And then there is the phantom power feature.
We tested it with a commonly available condenser mic and it works perfectly. It is also switchable to 12V mode to CHN1, enabling the external powering of active pickup systems onboard the instrument, with no battery inside the instrument itself.
In summary, this preamp is a winner.
It is a beautifully voiced unit, and I cannot emphasize that point enough. It just sounds awesome.
Furthermore, it packs into a elegant, compact unit a ton of practical and usable features to cater to the diverse and demanding needs for high-quality acoustic musical instrument amplification.
Also, for preamps, it is by far one of the easiest and most intuitive units I have used to date.
I can foresee it being a total hit with both gigging musicians as well as pro-studio usage.
The EBD-1 would invariable be compared to the popular LR Baggs Para-DI.
And here is a little comparison for you; the EDB-1 can do everything that the Para-DI can and much more, except that it does not have an effects loop.
Here are the additional features of the EDB-1 that the PARA-DI does not have.
- Supplies phantom power to condenser mic or other other source
- Two input channels
- True mute
- XLR input
- 1/4” + TRS input
- High-Pass Filtering
- Switchable impedance
- Switchable in/out for notch filtering
- Ground Lift
- Can be powered by batteries
If you ask me, I would readily admit that I love this preamp.
It can do everything I need, and more. And it does what it does very well.
In the words of a fellow guitarist, “Why didn't anybody think of making something like this earlier?”
regards,
Phil
Monday, November 30, 2009
Standard Series Are In Stock.
Hello,
Regards,
Isaiah
On a tight budget??
Good news for those on a tight budget this December. The SA1 is now available @ $199 with a free w400 bag. here is a lil preview of this value for money instrument.
SA-1
The Grand Auditorium version of the SD-1 is the perfect start for a student pursuing fingerstyle playing. Also built with a spruce top and mahogany back and sides, the Grand Auditorium shape gives better articulation on the highs and lows, bringing out intricate melodies effortlessly.
Detailed Specifications
Top: Sitka Spruce Laminated
Back: Mahogany
Sides: Mahogany
Neck: Nato
Fingerboard: Rosewood
Nut: Cow Bone
Saddle: Cow Bone
Machine Head: Die-Cast Chrome
Finishing: Natural, Gloss
Truss Rod: Double Action
Body-Neck Joint: Bolt-on
String Length: 650mm
Fret Board Marker: 4mm Pearl
Fret Board Side: 2mm marker
Body Shape: Grand Auditorium
Bracing: X-Bracing
Pickguard: NIL
Bridge: Rosewood
Strings: D'addario Strings EXP16
Sunday, November 29, 2009
Lucky Dip!
Hello Friends,
This December for every $100 dollar spent in a single receipt, you get a shot at the lucky dip.
Prizes include discount coupons, freebies and even a pignose amplifier. See you guys soon!
Terms and Conditions apply.
Regards,
Isaiah
This December for every $100 dollar spent in a single receipt, you get a shot at the lucky dip.
Prizes include discount coupons, freebies and even a pignose amplifier. See you guys soon!
Terms and Conditions apply.
Regards,
Isaiah
Guitar Of The Month DEC:
SA-3
Built with the same specifications as the SD-3, this guitar delivers a very crisp and clear tone for fingerpickers. Switching between styles is easy, with the rosewood back and sides producing a warm, full bass adequate for strumming.
Detailed Specifications
Top: Sitka Spruce Laminated
Back: Rosewood
Sides: Rosewood
Neck: Nato
Fingerboard: Rosewood
Nut: Cow Bone
Saddle: Cow Bone
Machine Head: Die-Cast Gold
Finishing: Natural, Gloss
Truss Rod: Double Action
Body-Neck Joint: Bolt-on
String Length: 650mm
Fret Board Marker: 4mm Abalone
Fret Board Side: 2mm marker
Body Shape: Grand Auditorium
Bracing: X-Bracing
Pickguard: NIL
Bridge: Rosewood
Strings: D'addario Strings EXP16
*bag not included*
Saturday, November 28, 2009
The Spider-Capo Review.
Hi guitar-loving folks,
we are back with another capo review. This time round, we are really excited about this totally radical and new capo; the six-legged Spider-Capo.
Yes, arachnids usually have eight-legs, but this little here fellow gave up two for the sake of the guitar. That is the spirit.
The Spider-Capo caught our attention at NAMM '09 and we were so impressed that we decided to bring it back to Singapore.
I am sure you would just as impressed with it as we are. The guys in the shop just cannot get their hands off the demo-set.
we are back with another capo review. This time round, we are really excited about this totally radical and new capo; the six-legged Spider-Capo.
Yes, arachnids usually have eight-legs, but this little here fellow gave up two for the sake of the guitar. That is the spirit.
The Spider-Capo caught our attention at NAMM '09 and we were so impressed that we decided to bring it back to Singapore.
I am sure you would just as impressed with it as we are. The guys in the shop just cannot get their hands off the demo-set.
OVERVIEW:
What makes the Spider-Capo different and so innovative is its ability to capo individual strings.
The six 'legs' can be adjusted individually, meaning you can choose exactly which string(s) you want depressed.
This is a far departure from the standard capos or even partial capos.
Most partial capos can do what the Spider-capo can do only to a limited extent. In the sense that the strings depressed have to be sequential, such as "333000", etc.
The Spider-Capo allows configurations that are previously impossible on other capos such as "030303" or "300330", so on and so forth. All these without having to touch the tuner-heads at all.
If you want something even more insane, you can always buy two or more Spider-Capos, and have one on each fret of your choice and get something like "577555", etc.
The whole idea is that the Spider-Capo opens up a whole new dimension to tunings with its versatility and innovative design.
Here is a video on how the Spider-Capo works:
What makes the Spider-Capo different and so innovative is its ability to capo individual strings.
The six 'legs' can be adjusted individually, meaning you can choose exactly which string(s) you want depressed.
This is a far departure from the standard capos or even partial capos.
Most partial capos can do what the Spider-capo can do only to a limited extent. In the sense that the strings depressed have to be sequential, such as "333000", etc.
The Spider-Capo allows configurations that are previously impossible on other capos such as "030303" or "300330", so on and so forth. All these without having to touch the tuner-heads at all.
If you want something even more insane, you can always buy two or more Spider-Capos, and have one on each fret of your choice and get something like "577555", etc.
The whole idea is that the Spider-Capo opens up a whole new dimension to tunings with its versatility and innovative design.
Here is a video on how the Spider-Capo works:
CONSTRUCTION ANALYSIS:
I have the Spider-Capo in my hands now and I must say it is built very well. Workmanship is great, all moving parts twist, slide and turn with a smooth solidness.
The main-bulk of the Spider-Capo is made of some sort of hard-plastic, the screw and claws are made of stainless steel, on the claws itself where it comes into contact with your guitar, there is nice thick pad of genuine ox-leather, a nice luxurious touch.
All in good, good and solid construction, nothing that is potentially worrying.
I have the Spider-Capo in my hands now and I must say it is built very well. Workmanship is great, all moving parts twist, slide and turn with a smooth solidness.
The main-bulk of the Spider-Capo is made of some sort of hard-plastic, the screw and claws are made of stainless steel, on the claws itself where it comes into contact with your guitar, there is nice thick pad of genuine ox-leather, a nice luxurious touch.
All in good, good and solid construction, nothing that is potentially worrying.
USAGE ANALYSIS:
The Spider-Capo is not spring-loaded nor does it have the self-clamping mechanism of the Shubb Capos.
You need to manually fiddle with the screw; positioning it where you want it on the neck and tighten the screw to clamp the capo down tight onto the neck. Changing positions requires the same methodology, unscrew, re-position and tighten. This might prove to be a hindrance to those who need quick changes and switchings of the capo.
Upon the first usage of the Spider-Capo, you have to position the individual legs above the strings, and although it sounds daunting, it actually does not take more than a mintue. And you do not have to repeat this step unless you are moving way down the neck or onto another guitar where the string-spacings might differ.
When in position, you simply turn the 'legs' down to clamp onto the desired strings.
As I usually do when trying capos, I will check if the said capo would cause my tuning to go off. I am glad to report that after extended usage of the Spider-Capo, it does not pull my string out of tune.
When capo-ed, all strings ring out cleanly and correctly, i,e, in tune. No problems whatsoever encountered.
The Spider-Capo is not spring-loaded nor does it have the self-clamping mechanism of the Shubb Capos.
You need to manually fiddle with the screw; positioning it where you want it on the neck and tighten the screw to clamp the capo down tight onto the neck. Changing positions requires the same methodology, unscrew, re-position and tighten. This might prove to be a hindrance to those who need quick changes and switchings of the capo.
Upon the first usage of the Spider-Capo, you have to position the individual legs above the strings, and although it sounds daunting, it actually does not take more than a mintue. And you do not have to repeat this step unless you are moving way down the neck or onto another guitar where the string-spacings might differ.
When in position, you simply turn the 'legs' down to clamp onto the desired strings.
As I usually do when trying capos, I will check if the said capo would cause my tuning to go off. I am glad to report that after extended usage of the Spider-Capo, it does not pull my string out of tune.
When capo-ed, all strings ring out cleanly and correctly, i,e, in tune. No problems whatsoever encountered.
SUMMARY:
The only foreseeable gripe that anyone might have with the Spider-Capo is the ease of re-positioning.
The screw mechanism makes lightning quick re-positioning of the capo near impossible.
However, that is not something I would worry about excessively because for quick-changes, I can easily rely on my regular Shubb Capo.
I would buy a Spider-Capo for what it offers and does best, and that is the sheer versatility and flexibility it offers with regards to tuning possibilities. It does what it says it does superbly well, and that in itself is more than enough for me.
So if you are looking for something to spice up your playing, or have always wanted to try out some new and exotic tunings without the hassle of re-tuning, then the Spider-Capo would prove to be a very worthy investment for it would open up many new possibilities in your guitar playing.
The only foreseeable gripe that anyone might have with the Spider-Capo is the ease of re-positioning.
The screw mechanism makes lightning quick re-positioning of the capo near impossible.
However, that is not something I would worry about excessively because for quick-changes, I can easily rely on my regular Shubb Capo.
I would buy a Spider-Capo for what it offers and does best, and that is the sheer versatility and flexibility it offers with regards to tuning possibilities. It does what it says it does superbly well, and that in itself is more than enough for me.
So if you are looking for something to spice up your playing, or have always wanted to try out some new and exotic tunings without the hassle of re-tuning, then the Spider-Capo would prove to be a very worthy investment for it would open up many new possibilities in your guitar playing.
regards,
Phil
Monday, November 16, 2009
Capo Talk + Shubb Capo Review!
Hello again and today we will be talking in general about capos and also reviewing the Shubb Capo. 
Aside from that, there is another thing that the Shubb can. And that is to use a standard model as a 'partial' capo. Of course, this ‘trick’ is only limited to excluding one or at the most two strings, but that is more than enough for my usage.
To me, a capo is a necessity. And of all the different capos that I have used over the years, the Shubb is still the best that I have encountered; they are versatile, well-made and reliable. And frankly, they are the only capos that I will recommend other guitarists.
For the uninitiated, a capo basically allows you to shorten the length of the guitar’s neck, which allows you to change the key without having to re-tune your guitar or transposing the music by using a whole new set of chords.
This is especially handy when playing songs that were written for someone else and you need to change the key of the song to suit your vocal range. And when playing fingerstyle, the capo can add some interesting pitch variations.
Another use of a capo is to allow guitar players to harmonise alongside each other easily. Say, if my rhythm guitarist is playing in the key of E major, I can simply capo on the fourth fret and play an alternate version of the same tune in the key of C, and that adds a whole new dimension to the piece. I can put the capo on the seventh fret and play the tune with chords from the key of A and instantly I would get chiming, angelic harmonics of a pseudo-mandolin.
As you can see, a capo is indispensable.
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Alright, now we shall draw our attention back to the Shubb capo in particular.
The one I have on hand for the review is the Deluxe version, which costs around SGD 8 more than the standard version. This 8 bucks gets you a ball-bearing roller at the end of the tightening screw instead of the usual rubberised tip seen on the standards.
When one locks the capo the screw presses up against the padded lever, which in turn presses against the back of the guitar's neck. The deluxe version's roller is attached to a flexible piece of steel that sits between the screw and padded lever. The screw is used to set the height of the roller, but when you lock the capo into the position the roller moves along the length of the padded lever and wedges into place tightly and more securely.
This capo simply oozes quality. I love how it feels so substantial and sturdy, and how everything is so well-crafted and precise, and that its made with stainless steel and that the joints are all riveted. And should the rubber sleeve ever wear out on you, Shubb offers to replace it with a new one for the duration of, you guessed it; a lifetime.
Usage wise, it cannot be easier. The capo's fretting bar is held in place against the back of the neck with a lever that has a soft, rubber pad so that no metal comes into contact with the guitar itself. This lever is clamped into place with a second lever that has a screw passing through it so the capo's tightness may be adjusted depending on the thickness of the guitar's neck. To use the capo you simply lines up the rubber sleeve over the strings and closes the lowest lever into the locked position.
Some capos require that you manually apply the same amount of pressure each time in order to get acceptable results. With the Shubb, once the adjusting screw is set for your instrument, you will get the same results each time. I am a fan of consistency.
And the most important and impressive thing about the Shubb it does not cause you to go out of tune with repeated usage. Some capos will stretch the string out of tune, and this is due to them using a material that presses the strings far too hard; this bends the strings all the way over the fret, hence stretching it sharp. The effect of this problem is even more drastic on the thicker wound strings.
The Shubb, fortunately, does not have this problem. I tested it by first checking my tuning then applying the capo and various positions and re-checking the tuning, this was repeated several times and the Shubb did not alter my tuning the slightest bit.
The reason is that the Shubb uses a unique material that acts just your our fingertips, and also the closing action works just like a hand. As such, when engaged it simply bends the strings over the frets like how we would fret a note instead of violently clamping it down. The rubber pads acts just like the flesh on our fingertips while the steel rod acts like the bone within the finger that reinforces everything.
Aside from that, there is another thing that the Shubb can. And that is to use a standard model as a 'partial' capo. Of course, this ‘trick’ is only limited to excluding one or at the most two strings, but that is more than enough for my usage.
You can position the Shubb around the treble side such that it leaves out the low E, and you instantly have a Drop E tuning. You can invert the orientation and expose the B and or high E, use these further up the neck for Celtic tunings like DADGAD, or blues tunings like Open G, etc. You get the idea. The possibilities are endless and no other standard capos can achieve these. Yet. Of course, you can use a partial capo, but then a partial capo cannot serve as a regular capo.
Also, the Shubb is a lot more accommodating than other capos. In the sense that it suits necks of different thickness and wideness. It fits the standard neck profiles, in addition to that, vintage 'V' profiles or even a more pronounced deep 'C' are not a problem. I cannot say the same for other capos, which I often encounter gripping problems when using it with necks that are slightly wider or have a more pronounced profile to the neck.
So, to sum it up, the Shubb Deluxe capo is my choice, as how it is for many other guitarists out there seeing how they have sold millions upon millions of this unit. Or how people like David Gilmour, John Jorgeson, Peter Grant, Dave Hawkins, Johnny Hiland, Andy Mckee, Pete Seeger, Brian Setzer, etc are also using the Shubb.
It has all the features that I need and more, and by the looks of it, it will probably last me a lifetime or at least until I misplace it. What more can I ask for?
regards,
Phil
**I humbly stand corrected that only the Shubb can act as a partial capo. Other capos like the Kyser can do the same and more.
Sunday, November 8, 2009
Cantata Classical Guitar Strings Review.
Today we will be talking about the Cantata classical guitar strings from Medina Artigas.
These strings are made in Argentina and they have quite an ardent following, and we shall see why today.
The company Medina Artigas is renowned for their strings and they have a reputation of utilising the best materials and workmanship for their products.Many professional classical guitarists swear by their strings, so when reviewing the Cantatas, I cannot help but to have some innate high-expectations for them.
Inside, the strings are packed sealed in an air-tight plastic wrap, and within it, each individual string is housed in an anti-corrosion paper wraps. So far so good, at least I know the strings will
be fresh when I open them.
And for the record, the strings were fresh when I opened them. No visible signs of tarnishing on any of the silver-plated strings.
On the packaging and website they claim that the Cantatas have a 'rich' and 'powerful' tone.
Pretty generic description, if you ask me. But after playing with the Cantatas for just 5 minutes, I am pretty much convinced.
They are indeed louder and pack more volume than other strings of a similar tension that I have tried, not really an incredible increase, but definitely an audible increase in projection.
And there is an excellent balance between the bass and treble strings, which is a god-sent because I abhor strings with a bass-response so overpowering that it completely muffles the highs, vice versa
Furthermore, the strings are also very dynamic and touch-sensitive. Light touches give you a clear, gentle rings while heavier strokes sound absolutely bold and commanding.
They offer very minimal resistance when I tried a continuos rasgueo; they are smooth and even and it makes everything very playable and enjoyable
So if you are looking for an affordable set of good-sounding classical guitar strings, I highly recommend the Medina Artigas Cantata.
regards,
Phil
Wednesday, November 4, 2009
Dehumidifier!
The next best thing you can do for your guitar besides playing it, is to dehumidify it.
Simply because Singapore is pretty much as humid as it gets.
And just like how we need air-conditioning, our guitars need a dehumidifying.
The relative humidity level refers to the amount of moisture in the surrounding atmosphere.
The optimum humidity level for acoustic guitars is roughly 50%.It ranges from a startling 75%-90% here on our tropical island city.
High humidity level causes the belly of an acoustic guitar to bulge, the neck to warp, it makes the guitar sound muffled and blanketed due to the moisture content in the wood which dampens the tone, and a host of other problems.
This is especially prevalent for acoustic guitars with solid tops, and even more so for full-solid acoustic guitars. Solid wood is much more susceptible to moisture as compared to laminated wood.
Due to the nature of its construction (the glue and layerings involved in laminated wood), laminated wood is more impervious to high humidity levels. However, this same factor also inhibits its tone as the layers and glue greatly reduce the wood's ability to vibrate freely.
In essence, they do not sound as good as solid wood, and they do not get seasoned with time and playing. But, they are hardier and require much less care.
For those with a tight budget or a small collection of guitars, we have ingenious products as the Zorb-It (SEE HERE) to help with the evils of humidity.
However, if you are looking for the ultimate solution, then look no further than an electric dehumidifier. It is by far the most efficient and effective method of keeping the relative humidity level at a constant of 50%.
If you have some valuable guitars that you want to maintain at optimum condition, then please do yourself a favor and invest in a dehumidifier.
It really is a worthy investment, and it will pay its dues in the long run. You will save yourself a lot of trouble, headache and worry. And your lovely guitar will thank you for it, for it will last longer, play better and sound much better.
We have two models of dehumidifiers available, the DC930 ($469) and HD320 ($599), with a maximum capacity of 15L and 22L respectively. The maximum capacity is basically how much water it can absorb and hold in its tank before requiring you to empty it.
We are now offering them this special limited promotional price coupled with a free delivery.
For further enquiries, please feel free to give us a call at any of our outlets or drop by for a chat with us.
Phil
Monday, November 2, 2009
Books and DVDs.
We carry a wide selection of imported musical instructionals, tablature and DVDs at the Maestro Living Room @ Parklane.
(Click to Enlarge)
For the books, we have various instructionals for;
- various styles of guitar playing (blues, classical, flamenco)
- ukulele
- banjo
- harmonica
- singing
And for the DVDs, we have great titles from;
- Chet Atkins
- Martin Taylor
- Ana Vidovic
- Doc Watson
- Andrew York
- Peter Bernstein
- Juan Serrano
- Jerry Reed
- Rodney Jones
- Frank Vignola
- Muriel Anderson
and many more!
Do drop by to check them out at the Maestro Living Room.
There will surely be something that appeals to you.
regards,
Phil
(Click to Enlarge)
For the books, we have various instructionals for;
- various styles of guitar playing (blues, classical, flamenco)
- ukulele
- banjo
- harmonica
- singing
And for the DVDs, we have great titles from;
- Chet Atkins
- Martin Taylor
- Ana Vidovic
- Doc Watson
- Andrew York
- Peter Bernstein
- Juan Serrano
- Jerry Reed
- Rodney Jones
- Frank Vignola
- Muriel Anderson
and many more!
Do drop by to check them out at the Maestro Living Room.
There will surely be something that appeals to you.
regards,
Phil
Sunday, November 1, 2009
Guitar Of The Month: November
ED-2
The next level up from the ED-1, this guitar features African Ovangkol on its back and sides giving it a unique mid-mellow character to its tone. Finished in matt, the ED-2 has got much to offer for players who like both strumming and fingerstyle. Dubbed as our “All Rounder”, this guitar lives up to its name with its versatility.
Detailed Specifications
Top: Solid Sitka Spruce Grade A+
Back: Ovangkol
Sides: Ovangkol
Neck: Nato
Fingerboard: Rosewood
Nut: Cow Bone
Saddle: Cow Bone
Machine Head: Grover Chrome
Finishing: Natural, Matt
Truss Rod: Double Action
Body-Neck Joint: Bolt-on
String Length: 650mm
Fret Board Marker: 4mm Pearl
Fret Board Side: 2mm marker
Body Shape: 41" Dreadnought
Bracing: X-Bracing
Pickguard: NIL
Bridge: Rosewood
Strings: D'addario Strings EXP16
Monday, October 26, 2009
Free Lessons Programme.
September's jovial bunch!
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To start off, I would like bring to your awareness that we are conducting free guitar lessons.
Some of you might already know, or have already signed up. But this is for those who are still in the dark to this great offer.
Maestro Pluck & Play Academy is offering 4 free guitar lessons at our Maestro Living Room outlet at Parklane.
WHEN:
Every Saturday for 4 Weeks. First lesson will begin the first Saturday of June. (Programme repeats monthly)
DURATION:
11:00 AM to 12:00 PM.
CLASS SIZE:
20 Pax.
CLASS AGE:
Above 16 Years Old.
REGISTRATION:
One time $15 per pax registration fee for course materials and administrative charges.
COURSE FEE:
FREE!
Note: Guitars not provided
COURSE OUTLINE:
The course is aimed at beginners and will cover:
- Introduction to the instrument
- Tuning basics
- Introduction to strumming patterns
- 5 basic chords
- At least 2 songs
- Basic finger exercises
- Basic music theory
- Notes on the fretboard
- Introduction to tablature
Drop by any of our Maestro outlets to sign up. Each class is limited to 20 pax, so please do yourselves a favour and sign up soon!
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Alright,
Now that we have gotten the 'official' bit over and done with, I would like to tell you why you should really consider signing up for our programme.
Firstly, it is economical. You cannot deny it.
The $15 registration fee is not even enough to cover our base-cost. We do not earn a single cent from this, quite the contrary, really.
Yet, we continue on with this programme because we wish to ease the process for newcomers to pick up this wonderful instrument that is the guitar.
And also it serves as a way for us to give back to the local music community that has been so supportive of us for all this time.
Simply put, you will never find a better deal.
And for a class of 20, we have two instructors. One being the very talented and able Stephen aka Botak, and the other being yours truly.
We have conducted quite a number of classes already so far, and I can personally guarantee that you will complete the course equipped with at least a strong foundation of the basics.
We are able to give each and every student tailored tutoring to ensure that everyone grasps the lesson. And from personal experience, I really cannot say the same for the guitar-lessons conducted by the Community Centers.
Not only will we teach you how to play the guitar, we will also teach you about the guitar.
So if you have always wanted to learn why some guitars sound better than others, and related questions, we are here to help you discover the subtleties and nuances of the guitar and enable you become a more discriminating player/buyer.
And frankly, each class is a just a joy to conduct.
I really enjoy every lesson, because it simply is so much fun.
So here is another thing that I can surely say, you will have fun learning the guitar.
Some people frown upon group lessons, quantifying them as being inferior to one-on-one tutelage.
Well, I beg to differ. And this is why;
Firstly, one-on-on is expensive.
It can range anywhere from $30-$75 per hour.
If I were a beginner starting from ground-zero, I would really not want to pay that kind of money for somebody to teach me simple things like tuning, and basic cowboy chords.
Secondly, it is intimidating. Especially if the teacher is somebody new to you.
Thirdly, it can get pretty dull. You are after all seeing the same fellow all the time.
My personal take is that one-one-one lessons are more suitable for people with either;
1.) deep pockets
2.) very inflexible schedules
3.) intermediate to advanced grasp of the guitar
One-on-one tutelage is good for people who already have a good understanding of the guitar and want to further their understanding. So the teacher is teaching you more advanced stuff, and one-on-one allows him to cater to your advanced and diverse needs specifically. So you are getting your money's worth.
Also, group lessons are just so much fun. Yes, I have repeated this phrase many times. But it just is true!
Our students help each other out and offer encouragement. They play and sing together and enjoy the learning process. And they always end up being friends beyond the classroom. Now, the friendships forged and camaraderie developed is just something that you cannot put a price on.
And we are also offering an extension programme for student graduating from our free beginner's course.
So, to conclude. Our lessons are something out of the ordinary. Come join us to experience it for yourself!
Tuesday, October 20, 2009
GHS Burnished Pure Nickel Roundwound Review!
We are back with another string review / recommendation. This time we are dealing with the GHS Burnished Pure Nickel Roundwound Strings for the electric guitar.
GHS touts that this set of strings will bring you that "Vintage Tone and More"
From the packaging:
"... GHS is happy to bring back these great "old" strings for electric guitar..."
"... pure nickel roundwound for that special, warm, bright tone of the fifties and sixties..."
"... We burnish (polish) it ever so slightly in the winding process"
Specifically we're reviewing a .009" set (Set BNR-XL 009-042) string guages: 009, 011, 016, BNR32, BNR32, BNR42
So what's 'BNR'? I guess anyone could infer that BNR is GHS's abbreviation for 'burnished'!
What exactly does 'burnished' mean?
Burnish means to polish and make shiny by rubbing (innuendo entirely intended).
According to the website and packaging, the strings are lightly polished during the winding process for a smoother-feeling, brighter-looking string, without compromising the profile of the string and thus continue to be roundwounds!
As I removed the strings from the standard strings-in-paper-envelope-in-plastic-sleeve packaging, I was immediately drawn to the initial tactile feel of the wound strings.
Neither did they have that slick oily feeling, nor did the strings feel like a coiled up mass of lead. The re-stringing process was simple and painless and I could not wait to go into some familiar chords and runs once the guitar was tuned up.
My fingers were already in eager anticipation of chugging out some power chords when i\I strung up the low E.
I ran these strings on my alder bodied, rosewood/maple neck strat copy, with 3 single coil alnico 5s. I used an old Roland Jazz Chorus as the test amplifier (EQ set to 12 o'clock across the board).
I then went through neck, 2nd, 4th and bridge pup positions (not a fan of middle pup) across the pickup settings, next the tone knobs were varied from Full, to Half, and to Nothing) while I ran through my favorite licks and chords.
So how do they sound? Vintage!
Putting the strings through some basic blues licks and bends they sound more Mississippi then Chicago. These strings would definitely give you that vintage vibe and help you rock around the clock.
I still cannot quite believe how warm these strings are. Playing some faux-jazz runs on the neck pup with the tone rolled back, I swear that each b7, maj9 and sus5 sounded silky.
How do they feel? These strings aren't exactly very slinky, but they sure are not as tough as the Blue Steels. Chording is an absolutely breeze, bending and sliding is like a hot knife through butter.
One interesting thing to note is that pure-nickle strings are always 'slinker' and slight;y easier to handle than say, their steel counterparts.
In a nutshell, it means if you are used to .09s, you might want to actually try the .10s for pure-nickle.
And if you are used to .10s, you might want to try .11s for pure-nickles; relatively similar feel but a much bigger tone.
I used to play d'Addario XLs, but after this test run, I will be sticking to the BNRs for a while longer. These burnished strings are really quick and at times even feel almost like flatwounds!
To sum it up,
For those of you who are keen to inject a little 'old school' into your tone, and a little warmth to your playing, I highly recommend that you give these strings a try.
These strings also come in Light (.010) and Medium (.011) sets!
GHS touts that this set of strings will bring you that "Vintage Tone and More"
From the packaging:
"... GHS is happy to bring back these great "old" strings for electric guitar..."
"... pure nickel roundwound for that special, warm, bright tone of the fifties and sixties..."
"... We burnish (polish) it ever so slightly in the winding process"
Specifically we're reviewing a .009" set (Set BNR-XL 009-042) string guages: 009, 011, 016, BNR32, BNR32, BNR42
So what's 'BNR'? I guess anyone could infer that BNR is GHS's abbreviation for 'burnished'!
What exactly does 'burnished' mean?
Burnish means to polish and make shiny by rubbing (innuendo entirely intended).
According to the website and packaging, the strings are lightly polished during the winding process for a smoother-feeling, brighter-looking string, without compromising the profile of the string and thus continue to be roundwounds!
As I removed the strings from the standard strings-in-paper-envelope-in-plastic-sleeve packaging, I was immediately drawn to the initial tactile feel of the wound strings.
Neither did they have that slick oily feeling, nor did the strings feel like a coiled up mass of lead. The re-stringing process was simple and painless and I could not wait to go into some familiar chords and runs once the guitar was tuned up.
My fingers were already in eager anticipation of chugging out some power chords when i\I strung up the low E.
I ran these strings on my alder bodied, rosewood/maple neck strat copy, with 3 single coil alnico 5s. I used an old Roland Jazz Chorus as the test amplifier (EQ set to 12 o'clock across the board).
I then went through neck, 2nd, 4th and bridge pup positions (not a fan of middle pup) across the pickup settings, next the tone knobs were varied from Full, to Half, and to Nothing) while I ran through my favorite licks and chords.
So how do they sound? Vintage!
Putting the strings through some basic blues licks and bends they sound more Mississippi then Chicago. These strings would definitely give you that vintage vibe and help you rock around the clock.
I still cannot quite believe how warm these strings are. Playing some faux-jazz runs on the neck pup with the tone rolled back, I swear that each b7, maj9 and sus5 sounded silky.
How do they feel? These strings aren't exactly very slinky, but they sure are not as tough as the Blue Steels. Chording is an absolutely breeze, bending and sliding is like a hot knife through butter.
One interesting thing to note is that pure-nickle strings are always 'slinker' and slight;y easier to handle than say, their steel counterparts.
In a nutshell, it means if you are used to .09s, you might want to actually try the .10s for pure-nickle.
And if you are used to .10s, you might want to try .11s for pure-nickles; relatively similar feel but a much bigger tone.
I used to play d'Addario XLs, but after this test run, I will be sticking to the BNRs for a while longer. These burnished strings are really quick and at times even feel almost like flatwounds!
To sum it up,
For those of you who are keen to inject a little 'old school' into your tone, and a little warmth to your playing, I highly recommend that you give these strings a try.
These strings also come in Light (.010) and Medium (.011) sets!
Tuesday, October 13, 2009
Tung-Oil Available.
Hi guys,
we currently have some premium tung-oil that we imported from the UK in stock.
They are sold in small 30ml bottles for only $8.
Perfect for those who just need a small amount to coat a single neck or body.
No longer will you need to purchase a huge (read: expensive) bottle of tung-oil, only to end up using just a little bit of it and putting away the rest of the bottle, desperately trying to convince yourself that you might use it again someday.
Anyway, for the uninitiated, tung oil is made from the pressed seed from the nut of the tung tree. Tung oil is considered a drying oil much as linseed, safflower, poppy and soybean oil. When applied it provides a tough, highly water resistant finish.
Our tung-oil requires a curing duration of 6-hours.
To digress slightly, a few months back I sanded down the back of my neck to remove the slow and sticky finish. That resulted in the stripping of the paint and the revealing of the bare wood.
Tung-oil was used to coat the back of the neck, so as to prevent any moisture from our humid surroundings from seeping into the neck.
regards,
Phil
we currently have some premium tung-oil that we imported from the UK in stock.
They are sold in small 30ml bottles for only $8.
Perfect for those who just need a small amount to coat a single neck or body.
No longer will you need to purchase a huge (read: expensive) bottle of tung-oil, only to end up using just a little bit of it and putting away the rest of the bottle, desperately trying to convince yourself that you might use it again someday.
Anyway, for the uninitiated, tung oil is made from the pressed seed from the nut of the tung tree. Tung oil is considered a drying oil much as linseed, safflower, poppy and soybean oil. When applied it provides a tough, highly water resistant finish.
Our tung-oil requires a curing duration of 6-hours.
To digress slightly, a few months back I sanded down the back of my neck to remove the slow and sticky finish. That resulted in the stripping of the paint and the revealing of the bare wood.
Tung-oil was used to coat the back of the neck, so as to prevent any moisture from our humid surroundings from seeping into the neck.
regards,
Phil
Sunday, October 11, 2009
We Love Evidence Audio!
For those who are unaware, we are an official distributor of Evidence Audio's range of excellent cables.
EVIDENCE AUDIO
As fellow musicians and guitarists, we too are constantly on the prowl for the best gear to achieve that elusive 'tone' in our heads.
And when it comes to cables, we simply swear by Evidence Audio.
And frankly, we are just glad that guitar luminaries such as David Gilmour, John Mayer, John Petrucci and Scott Henderson, among others, share similiar sentiments.
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DO CABLES MATTER THAT MUCH?
Yes, they do.
Your cables constitute a significant portion of your rig.
Even bedroom guitarists have at least a 10ft instrument cable, at least 5ft of patch cables and another 5ft/10ft cable to connect the pedalboard to the amp. Modestly speaking, that is at least 20ft of cable.
Gigging musicians' cable tally can easily double or triple that amount.
Your signal chain is only as good as its weakest link.
You can have a boutique guitar, boutique pedals and amp; but once you run them through 20ft of low-quality, poorly-made cables, you will find that your eventual tone will be much less than satisfactory. In fact, downright crass and uninspiring.
And you wonder what went wrong.
Low-quality, poorly-made cables not only colour your tone, they also muffle and strangle all the dynamics, punch, clarity and character out of your signal.
And it goes without saying that you will encounter all sorts of problems with microphonics, durability and reliability. Most of them are simply not gig-worthy.
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And this where Evidence Audio's cables come into the picture.
For guitar instrument cables, we recommend the best that they have to offer; the LYRIC HG.
The Lyric HG uses IGL™ solid core 20 awg copper conductors and also features a symmetrical design.
What this means is that the clarity, harmonic detail and focus of your signal is preserved. Your tone also retains significant punch and authority, yet still being able to convey a sense or air, articulation and openess.
The Lyric HG also has conductive skins applied to positive and negative runs, so that microphonics are greatly reduced, especially with high-gain amps.
Maybe some of you have encountered problems with microphonics, whereby when you tap your cable, you will heard an irritating 'thud' sound.
Well, no such nonsense with the Lyric HG.
Also, the Lyric HG is directional, and on the sleeve it is stated which end goes to the amp. In fact, all cables are directional, the charges are like little chevrons. Naturally, going with the flow provides best results. The reason why you do not see other cable manufacturers indicating which side is which is because they simply do not care, or are unaware of this little glaring fact.
Simply put, this is testament to Evidence Audio's expertise and dedication to bringing you the best cables possible.
And to top it off, they also comes with high density copper braid shields so that nothing but signal gets to your amp, and the woven nylon jackets increase flexibility and protection for extended stage use.
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For patch cables, we recommend the MONORAIL.
Like the Lyric HG, the Monorail has a solid core, 20 awg IGL™ copper conductor. 98% shield coverage for outstanding noise rejection and a spiral shield with parallel conductor geometry to minimise strand interaction.
The Monorail also has a very low capacitance, so that you can use them in long runs without experiencing any treble roll-off.
Another good thing about the Monorail is how compact and they are, so you can fit them into tight spaces on your board to maximise the real-estate.
The Monorail can work solderless, meaning you can use your George L heads with them.
Some favour the flat-heads from Switchcraft, however, we recommend having them soldered with Amphenols heads for best results in terms of tone and durability.
We also carry the MELODY, and the new FORTE is coming soon too.
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Personally, I have been using the Lyics HG and Monorail in my setup for more than a year already, and I cannot see myself doing without them.
I have always been very impressed with Evidence Audio due to their sheer conviction and enthusiasm about music and guitars.
To sum it up, Evidence Audio is a winning combination of ingenuity, innovation, high-quality parts and impeccable workmanship. You can rest assured that you are in safe hands.
regards,
Phil
EVIDENCE AUDIO
As fellow musicians and guitarists, we too are constantly on the prowl for the best gear to achieve that elusive 'tone' in our heads.
And when it comes to cables, we simply swear by Evidence Audio.
And frankly, we are just glad that guitar luminaries such as David Gilmour, John Mayer, John Petrucci and Scott Henderson, among others, share similiar sentiments.
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DO CABLES MATTER THAT MUCH?
Yes, they do.
Your cables constitute a significant portion of your rig.
Even bedroom guitarists have at least a 10ft instrument cable, at least 5ft of patch cables and another 5ft/10ft cable to connect the pedalboard to the amp. Modestly speaking, that is at least 20ft of cable.
Gigging musicians' cable tally can easily double or triple that amount.
Your signal chain is only as good as its weakest link.
You can have a boutique guitar, boutique pedals and amp; but once you run them through 20ft of low-quality, poorly-made cables, you will find that your eventual tone will be much less than satisfactory. In fact, downright crass and uninspiring.
And you wonder what went wrong.
Low-quality, poorly-made cables not only colour your tone, they also muffle and strangle all the dynamics, punch, clarity and character out of your signal.
And it goes without saying that you will encounter all sorts of problems with microphonics, durability and reliability. Most of them are simply not gig-worthy.
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And this where Evidence Audio's cables come into the picture.
For guitar instrument cables, we recommend the best that they have to offer; the LYRIC HG.
The Lyric HG uses IGL™ solid core 20 awg copper conductors and also features a symmetrical design.
What this means is that the clarity, harmonic detail and focus of your signal is preserved. Your tone also retains significant punch and authority, yet still being able to convey a sense or air, articulation and openess.
The Lyric HG also has conductive skins applied to positive and negative runs, so that microphonics are greatly reduced, especially with high-gain amps.
Maybe some of you have encountered problems with microphonics, whereby when you tap your cable, you will heard an irritating 'thud' sound.
Well, no such nonsense with the Lyric HG.
Also, the Lyric HG is directional, and on the sleeve it is stated which end goes to the amp. In fact, all cables are directional, the charges are like little chevrons. Naturally, going with the flow provides best results. The reason why you do not see other cable manufacturers indicating which side is which is because they simply do not care, or are unaware of this little glaring fact.
Simply put, this is testament to Evidence Audio's expertise and dedication to bringing you the best cables possible.
And to top it off, they also comes with high density copper braid shields so that nothing but signal gets to your amp, and the woven nylon jackets increase flexibility and protection for extended stage use.
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For patch cables, we recommend the MONORAIL.
Like the Lyric HG, the Monorail has a solid core, 20 awg IGL™ copper conductor. 98% shield coverage for outstanding noise rejection and a spiral shield with parallel conductor geometry to minimise strand interaction.
The Monorail also has a very low capacitance, so that you can use them in long runs without experiencing any treble roll-off.
Another good thing about the Monorail is how compact and they are, so you can fit them into tight spaces on your board to maximise the real-estate.
The Monorail can work solderless, meaning you can use your George L heads with them.
Some favour the flat-heads from Switchcraft, however, we recommend having them soldered with Amphenols heads for best results in terms of tone and durability.
We also carry the MELODY, and the new FORTE is coming soon too.
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Personally, I have been using the Lyics HG and Monorail in my setup for more than a year already, and I cannot see myself doing without them.
I have always been very impressed with Evidence Audio due to their sheer conviction and enthusiasm about music and guitars.
To sum it up, Evidence Audio is a winning combination of ingenuity, innovation, high-quality parts and impeccable workmanship. You can rest assured that you are in safe hands.
regards,
Phil
Wednesday, October 7, 2009
New Gotoh Shipment
Hello,
We have just received our latest shipment of gotoh parts. They are available at ZenGuitarWerkz. Please feel free to drop by and take a look. Thank you for your continued support.
Regards,
Isaiah
We have just received our latest shipment of gotoh parts. They are available at ZenGuitarWerkz. Please feel free to drop by and take a look. Thank you for your continued support.
Regards,
Isaiah
No repairs till 19th Oct 2009.
Hey friends.
We regret to inform that we will not be taking in any repairs till 19th October as KC is away. As always, we will not be accepting any request of holding on to your guitars to avoid any complications.
We apologize for any inconvenience caused.
We regret to inform that we will not be taking in any repairs till 19th October as KC is away. As always, we will not be accepting any request of holding on to your guitars to avoid any complications.
We apologize for any inconvenience caused.
Monday, October 5, 2009
esp sale guitars.
Hello,
The Remainder of the Esplanade Sale guitars (Old stock and Defective pieces) have been shifted to ZenGuitarWerkz. Please keep in mind that these are old stock and have no warranty. Thank you for your continued support.
Best Regards,
Isaiah
The Remainder of the Esplanade Sale guitars (Old stock and Defective pieces) have been shifted to ZenGuitarWerkz. Please keep in mind that these are old stock and have no warranty. Thank you for your continued support.
Best Regards,
Isaiah
Guitar Of The Month: October
Hello,
As always our guitar of the month comes with a 10% discount( further 10% of the discounted price for maestro members.)
SD-2 Retail Price: $259
Inspired by the Gibson J-45 slope shoulder shape dreadnought, the
SD-2 was designed for enhanced mid range tones; making this guitar well suited to country and blues. The exotic zebrawood back and sides also gives the SD-2 a distinctive look.
Detailed Specifications
Top: Sitka Spruce Laminated
Back: Zebra Wood
Sides: Zebra Wood
Neck: Nato
Fingerboard: Rosewood
Nut: Cow Bone
Saddle: Cow Bone
Machine Head: Die-Cast Chrome
Finishing: Natural, Matt
Truss Rod: Double Action
Body-Neck Joint: Bolt-on
String Length: 650mm
Fret Board Marker: 4mm Pearl
Fret Board Side: 2mm marker
Body Shape: 41" Dreadnought
Bracing: X-Bracing
Pickguard: NIL
Bridge: Rosewood
Strings: D'addario Strings EXP16
As always our guitar of the month comes with a 10% discount( further 10% of the discounted price for maestro members.)
SD-2 Retail Price: $259
Inspired by the Gibson J-45 slope shoulder shape dreadnought, the
SD-2 was designed for enhanced mid range tones; making this guitar well suited to country and blues. The exotic zebrawood back and sides also gives the SD-2 a distinctive look.
Detailed Specifications
Top: Sitka Spruce Laminated
Back: Zebra Wood
Sides: Zebra Wood
Neck: Nato
Fingerboard: Rosewood
Nut: Cow Bone
Saddle: Cow Bone
Machine Head: Die-Cast Chrome
Finishing: Natural, Matt
Truss Rod: Double Action
Body-Neck Joint: Bolt-on
String Length: 650mm
Fret Board Marker: 4mm Pearl
Fret Board Side: 2mm marker
Body Shape: 41" Dreadnought
Bracing: X-Bracing
Pickguard: NIL
Bridge: Rosewood
Strings: D'addario Strings EXP16
Saturday, October 3, 2009
Headway Shire King Amps.
If you are looking for a good acoustic guitar amplifier, look no further than the Headway Shire Kings.
Warm, and robust, the Headway Shire Kings offer unparalleled tone, dynamics and transparency that you will never find in another other amps.
Clean yet without any signs of sterility, it truly is the leader among acoustic guitar-amps.
We carry two models, the SK60 and the higher wattage SK120. Come and try them out for yourself and prepare to be amazed.
SK60
-Sparkling clarity, solid lows and superb facilities from compact Cabinet
-Highly efficient: 8" speaker with oversized magnet, plus wedge shaped, ported cabinet of Birch Ply
-Sweet, soft highs: Moving diaphram tweeter with optimal angling
-Class A and Next generation IC pre-amps designed for warmth, high gain and low noise
-True Impedance Pickup matching inputs for Passive Piezo cable/Film pickups, Passive -Ceramic Piezo Pickups, Active pickups
-EQ: 3 Band Interactive on each channel, with shelving and centre detents
-Alesis 16 Channel Digital Multi FX and Dual Channel Reverb+Delay, Chorus and Combinations
-Ultra low noise performance at high volumes
-Tuneable notch filter EQ facility, switchable with adjustable band width
-Mike XLR input with Phantom Power
-Stereo input jack allows dual pickup system to both channels via single cable
Alexis Digital Multi FX.
regards,
Phil
Warm, and robust, the Headway Shire Kings offer unparalleled tone, dynamics and transparency that you will never find in another other amps.
Clean yet without any signs of sterility, it truly is the leader among acoustic guitar-amps.
We carry two models, the SK60 and the higher wattage SK120. Come and try them out for yourself and prepare to be amazed.
SK60
-Sparkling clarity, solid lows and superb facilities from compact Cabinet
-Highly efficient: 8" speaker with oversized magnet, plus wedge shaped, ported cabinet of Birch Ply
-Sweet, soft highs: Moving diaphram tweeter with optimal angling
-Class A and Next generation IC pre-amps designed for warmth, high gain and low noise
-True Impedance Pickup matching inputs for Passive Piezo cable/Film pickups, Passive -Ceramic Piezo Pickups, Active pickups
-EQ: 3 Band Interactive on each channel, with shelving and centre detents
-Alesis 16 Channel Digital Multi FX and Dual Channel Reverb+Delay, Chorus and Combinations
-Ultra low noise performance at high volumes
-Tuneable notch filter EQ facility, switchable with adjustable band width
-Mike XLR input with Phantom Power
-Stereo input jack allows dual pickup system to both channels via single cable
Alexis Digital Multi FX.
regards,
Phil
Monday, September 28, 2009
Saturday, September 19, 2009
New Cajons In Stock!
We have some beautiful-sounding cajons in stock for you to thump, thwack, and slap to your heart's content.
All cajons come with a sturdy and stylish carrying case.
Come and give them a try at any of our Maestro outlets.
All cajons come with a sturdy and stylish carrying case.
Come and give them a try at any of our Maestro outlets.
Saturday, September 12, 2009
We have a nice selection of top-grade bone, brass and horn bridge-pins of varying sizes from John Pearse.
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Do the bridge-pins matter?
An empathic 'yes'.
The bridge-pins, along with your saddle and nut are the contact-points between your strings and your guitar. In other words, they are the direct conduit for the string's vibrations to reach your guitar.
In order to maximize the vibrations reaching the body itself, you need good 'conduits'.
Materials such as bone, horn, ivory and ebony have always been favored by musicians who want to bring out the best in their instruments.
Such materials are extremely hard and they provide excellent transference of the string's vibrations to the body.
Cheaper alternatives such as plastic dampens your tone as plastic is relatively soft, and they 'cushion' and absorb a significant amount of the string's vibrations. Naturally, this will adversely affect your guitar's tone.
You can expect added warmth and sparkle, clarity and separation of notes as well as an increase in overall resonance with quality materials such these.
So do your beloved guitar a favor and give it a long-due and well-deserved upgrade!
---------------------------------------------------------------
From left:
Bone/French Eye Brass/Abalone ($99.90)
Bone/French Eye Black/Abalone/Large ($99.90)
Bone/French Eye Black/Abalone ($99.90)
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From left:
Bone/Abalone Dot/Large ($89.90)
Brass KingPin/ French Eye Pearl ($79.90)
Bone/Abalone Dot ($79.90)
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From Left:
Horn/Abalone Dot/Large ($69.90)
Horn/Pearl Dot ($59.90)
Faux Tortoise Shell ($45.00)
Phil.
---------------------------------------------------------------
Do the bridge-pins matter?
An empathic 'yes'.
The bridge-pins, along with your saddle and nut are the contact-points between your strings and your guitar. In other words, they are the direct conduit for the string's vibrations to reach your guitar.
In order to maximize the vibrations reaching the body itself, you need good 'conduits'.
Materials such as bone, horn, ivory and ebony have always been favored by musicians who want to bring out the best in their instruments.
Such materials are extremely hard and they provide excellent transference of the string's vibrations to the body.
Cheaper alternatives such as plastic dampens your tone as plastic is relatively soft, and they 'cushion' and absorb a significant amount of the string's vibrations. Naturally, this will adversely affect your guitar's tone.
You can expect added warmth and sparkle, clarity and separation of notes as well as an increase in overall resonance with quality materials such these.
So do your beloved guitar a favor and give it a long-due and well-deserved upgrade!
---------------------------------------------------------------
From left:
Bone/French Eye Brass/Abalone ($99.90)
Bone/French Eye Black/Abalone/Large ($99.90)
Bone/French Eye Black/Abalone ($99.90)
---------------------------------------------------------------
From left:
Bone/Abalone Dot/Large ($89.90)
Brass KingPin/ French Eye Pearl ($79.90)
Bone/Abalone Dot ($79.90)
---------------------------------------------------------------
From Left:
Horn/Abalone Dot/Large ($69.90)
Horn/Pearl Dot ($59.90)
Faux Tortoise Shell ($45.00)
Phil.
Ukuleles Galore!
Our ukulele wall at the Maestro Living Room is finally filled!
We have a full-range of high-quality ukuleles for you to choose from. All of the Maestro ukuleles come with soft-cases. Custom series ukuleles come with leather hard-cases.
-------------------------------------------------
For the budget conscious, we have the:
US-01: Soprano, laminated mahogany ($50)
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10-Series
US-10: Soprano, laminated mahogany ($99)
UC-10: Concert, laminated mahogany ($129)
-------------------------------------------------
20-Series
US-20: Soprano, full-solid mahogany. ($189)
UC-20: Concert, full-solid mahogany. ($229)
UT-20: Tenor, full-solid mahogany. ($289)
-------------------------------------------------
For the more discerning players, we are proud to present our custom line of ukuleles. These ukuleles are meticulously crafted with the highest grades of select tone-woods and world-class hardware.
They represent the best that we have to offer tonally, visually and in terms of price-performance ratio.
Custom-Series
US-35: Soprano, top-grade full-solid mahogany ($399)
US-40: Soprano, grade AAA solid cedar top, solid Indian rosewood B/S ($449)
UT-30: Tenor, grade AAA solid cedar top, Hawaiian Koa B/S ($449)
UT-35: Tenor, top-grade full-solid mahogany ($449)
UT-40: Tenor, grade AAA solid cedar top, solid Indian rosewood B/S ($525)
UT-45: Tenor, grade AAA solid cedar top, solid cocobolo B/S ($699)
Read THIS for a blow-by-blow breakdown on our Maestro ukuleles!
Phil.
We have a full-range of high-quality ukuleles for you to choose from. All of the Maestro ukuleles come with soft-cases. Custom series ukuleles come with leather hard-cases.
-------------------------------------------------
For the budget conscious, we have the:
US-01: Soprano, laminated mahogany ($50)
-------------------------------------------------
10-Series
US-10: Soprano, laminated mahogany ($99)
UC-10: Concert, laminated mahogany ($129)
-------------------------------------------------
20-Series
US-20: Soprano, full-solid mahogany. ($189)
UC-20: Concert, full-solid mahogany. ($229)
UT-20: Tenor, full-solid mahogany. ($289)
-------------------------------------------------
For the more discerning players, we are proud to present our custom line of ukuleles. These ukuleles are meticulously crafted with the highest grades of select tone-woods and world-class hardware.
They represent the best that we have to offer tonally, visually and in terms of price-performance ratio.
Custom-Series
US-35: Soprano, top-grade full-solid mahogany ($399)
US-40: Soprano, grade AAA solid cedar top, solid Indian rosewood B/S ($449)
UT-30: Tenor, grade AAA solid cedar top, Hawaiian Koa B/S ($449)
UT-35: Tenor, top-grade full-solid mahogany ($449)
UT-40: Tenor, grade AAA solid cedar top, solid Indian rosewood B/S ($525)
UT-45: Tenor, grade AAA solid cedar top, solid cocobolo B/S ($699)
Read THIS for a blow-by-blow breakdown on our Maestro ukuleles!
Phil.
Friday, September 11, 2009
Esplanade Outlet Closure
Hello,
As of yesterday, our esplanade outlet has officially closed down. You can still visit us at The Maestro Concept Store, The Maestro Living Room and Zen Guitarwerkz. Thank you for the continued support.
Best Regards,
Isaiah Manivannan
Retail Manager
Maestro Guitars
As of yesterday, our esplanade outlet has officially closed down. You can still visit us at The Maestro Concept Store, The Maestro Living Room and Zen Guitarwerkz. Thank you for the continued support.
Best Regards,
Isaiah Manivannan
Retail Manager
Maestro Guitars
Tuesday, September 1, 2009
Guitar of the Month Sale!
Hello friends,
Starting September 1st Maestro Guitars will feature a Guitar of the Month ( One Classical and One Acoustic model). Walk in customers will get a 10% discount on the selected guitars and maestro members will get a further 10% off the discounted price. Promotion valid whilst stocks last.
Guitar of the Month for September:
Brilliance:
List Price:S$1078.8 Discounted Price:S$810 (member have a further 10% off)
A delightful addition to our Custom series dreadnoughts, the Brilliance is a guaranteed crowd pleaser. With its flame maple back and sides, the Brilliance is proof that exquisite tone, classy looks and affordability can be synonymous with each other.
Detailed Specifications
Top: Solid Sitka Spruce Grade AA
Back: Flame Maple
Sides: Flame Maple
Neck: Nato
Fingerboard: Rosewood
Nut: Cowbone
Saddle: TUSQ
Machine Head: Grover Gold
Finishing: Natural, Gloss
Truss Rod: Double Action
Body-Neck Joint: Bolt-on
String Length: 650mm
Fret Board Marker: 4mm Abalone
Fret Board Side: 2mm marker
Body Shape: Dreadnought
Bracing: X-Bracing
Pickguard: NIL
Bridge: Rosewood
Strings: D'addario Strings EXP16
Iberia:
List Price:S$1020 Discounted Price:S$765 (member have a further 10% off)
Almost rivaling a concert quality instrument, the Iberia is a full solid guitar suited for the advanced classical student giving performances in smaller venues. It features a grade AA cedar top and solid rosewood back and sides. A smallman bracing pattern is used for great volume and clarity.
Detailed Specifications
Top: Solid Red Cedar Grade AA
Back: Solid Rosewood
Sides: Rosewood
Neck: Nato
Fingerboard: Rosewood
Nut: Cow Bone
Saddle: Cow Bone
Machine Head: Premium
Finishing: Natural, Gloss
Truss Rod: NIL
Body-Neck Joint: Spanish Heel
String Length: 650mm
Fret Board Marker: NIL
Fret Board Side: 2mm marker
Body Shape: 39" Classical
Bracing: Romanilo
Pickguard: NIL
Bridge: Rosewood
Strings: EXP 46 Strings
*TERMS AND CONDITIONS APPLY*
Starting September 1st Maestro Guitars will feature a Guitar of the Month ( One Classical and One Acoustic model). Walk in customers will get a 10% discount on the selected guitars and maestro members will get a further 10% off the discounted price. Promotion valid whilst stocks last.
Guitar of the Month for September:
Brilliance:
List Price:S$1078.8 Discounted Price:S$810 (member have a further 10% off)
A delightful addition to our Custom series dreadnoughts, the Brilliance is a guaranteed crowd pleaser. With its flame maple back and sides, the Brilliance is proof that exquisite tone, classy looks and affordability can be synonymous with each other.
Detailed Specifications
Top: Solid Sitka Spruce Grade AA
Back: Flame Maple
Sides: Flame Maple
Neck: Nato
Fingerboard: Rosewood
Nut: Cowbone
Saddle: TUSQ
Machine Head: Grover Gold
Finishing: Natural, Gloss
Truss Rod: Double Action
Body-Neck Joint: Bolt-on
String Length: 650mm
Fret Board Marker: 4mm Abalone
Fret Board Side: 2mm marker
Body Shape: Dreadnought
Bracing: X-Bracing
Pickguard: NIL
Bridge: Rosewood
Strings: D'addario Strings EXP16
Iberia:
List Price:S$1020 Discounted Price:S$765 (member have a further 10% off)
Almost rivaling a concert quality instrument, the Iberia is a full solid guitar suited for the advanced classical student giving performances in smaller venues. It features a grade AA cedar top and solid rosewood back and sides. A smallman bracing pattern is used for great volume and clarity.
Detailed Specifications
Top: Solid Red Cedar Grade AA
Back: Solid Rosewood
Sides: Rosewood
Neck: Nato
Fingerboard: Rosewood
Nut: Cow Bone
Saddle: Cow Bone
Machine Head: Premium
Finishing: Natural, Gloss
Truss Rod: NIL
Body-Neck Joint: Spanish Heel
String Length: 650mm
Fret Board Marker: NIL
Fret Board Side: 2mm marker
Body Shape: 39" Classical
Bracing: Romanilo
Pickguard: NIL
Bridge: Rosewood
Strings: EXP 46 Strings
*TERMS AND CONDITIONS APPLY*
Sunday, August 23, 2009
Spirit of Enterprise 2009 Awards
Spirit of Enterprise
Source: www.soe.org.sg
|2008 Awards | 2007 Awards | 2006 Awards | 2005 Awards | 2004 Awards | Photo Gallery | Criteria for Candidates
Vote for Hozen for the Spirit of Enterprise 2009 Awards!
SMS "SOE 64" to 79000
Vote online by signing up for account: http://www.soe.org.sg/files/nominees2009.php (Number 64)
THANKS for your Support!! =D
10 reasons why you should sign up for Maestro Free Lesson Program
1. You learn in a small class of maximum 20 students which maximizes student-instructor time.
2. There are 2 instructors to a group of 20 students, which allows for better interaction between instructor and student.
3. With 4 basic lessons, you can learn how to strum to your favourite tunes.
4. We structured the lessons with minimum music theory and maximum hands-on playing for the busy you.
5. You have the option of extending another 8 lessons to complete our Strum Pluck and Sing course with certification, at an attractive price of $100 (usual price $150 for all 12 lessons).
6. You also have the option to join our Student-Instructor Program (SIP) where you will be matched to our database of instructors for home-based one-to-one teaching.
7. You can also extend your music education via our database of affiliated music schools for examination-based courses.
8. You get to be part of the Maestro Membership Program when you purchase our guitars at an attractive discounted price.
9. You get to be part of our Mailing List where you receive first-hand updates on product releases, events and closed door promotions.
10. And best of all, its FREE!!
2. There are 2 instructors to a group of 20 students, which allows for better interaction between instructor and student.
3. With 4 basic lessons, you can learn how to strum to your favourite tunes.
4. We structured the lessons with minimum music theory and maximum hands-on playing for the busy you.
5. You have the option of extending another 8 lessons to complete our Strum Pluck and Sing course with certification, at an attractive price of $100 (usual price $150 for all 12 lessons).
6. You also have the option to join our Student-Instructor Program (SIP) where you will be matched to our database of instructors for home-based one-to-one teaching.
7. You can also extend your music education via our database of affiliated music schools for examination-based courses.
8. You get to be part of the Maestro Membership Program when you purchase our guitars at an attractive discounted price.
9. You get to be part of our Mailing List where you receive first-hand updates on product releases, events and closed door promotions.
10. And best of all, its FREE!!
Saturday, August 22, 2009
NEW! Maestro MT-01 Clip-On Tuner.
The new Maestro Clip-On Tuners are in stock now!
The most important aspect of playing the guitar, or any instrument for that matter, is to be in tune.
And what better way to get your instrument in tune than by using the Maestro MT-01 Clip-On Tuner?
ACCURATE AND SENSITIVE
The MT-01 offers a very high degree of accuracy and sensitivity, ensuring that your instrument is absolutely in tune. It is also extremely responsive, making the process of tuning-up fast and easy.
EASE-OF-USE AND HIGH-VISIBILITY
All you need to do is switch it on, and clip it onto your headstock and begin tuning!
It picks up the vibrations of your string and automatically displays what note is being played. This vibration-detection technology is unaffected by ambient noise, thus ensuring that you will always get the right readings even in the nosiest of settings.
It also features a bright, high-contrast, backlit screen that makes tuning on the darkest stage a breeze.
COMPACT AND HANDY
You can easily fit it into your guitar-case or bag. It clips on directly to your headstock, and you can leave it there throughout your practice session or gig; no one will notice it because it is so small and discrete.
ECONOMICAL AND RELIABLE
In light of the bad economy, we are pricing this superb tuner at a mere $25.
We are so confident that the MT-01 is durable and reliable, that we are offering a one-year, one to one exchange for any inherent manufacturing defects on the tuner.
Come grab yours now, it is time to get in tune. While stocks last!
The most important aspect of playing the guitar, or any instrument for that matter, is to be in tune.
And what better way to get your instrument in tune than by using the Maestro MT-01 Clip-On Tuner?
ACCURATE AND SENSITIVE
The MT-01 offers a very high degree of accuracy and sensitivity, ensuring that your instrument is absolutely in tune. It is also extremely responsive, making the process of tuning-up fast and easy.
EASE-OF-USE AND HIGH-VISIBILITY
All you need to do is switch it on, and clip it onto your headstock and begin tuning!
It picks up the vibrations of your string and automatically displays what note is being played. This vibration-detection technology is unaffected by ambient noise, thus ensuring that you will always get the right readings even in the nosiest of settings.
It also features a bright, high-contrast, backlit screen that makes tuning on the darkest stage a breeze.
COMPACT AND HANDY
You can easily fit it into your guitar-case or bag. It clips on directly to your headstock, and you can leave it there throughout your practice session or gig; no one will notice it because it is so small and discrete.
ECONOMICAL AND RELIABLE
In light of the bad economy, we are pricing this superb tuner at a mere $25.
We are so confident that the MT-01 is durable and reliable, that we are offering a one-year, one to one exchange for any inherent manufacturing defects on the tuner.
Come grab yours now, it is time to get in tune. While stocks last!
Thursday, August 13, 2009
No repairs till 21st August 2009.
Hey friends.
We regret to inform that we will not be taking in any repairs till 21st August as KC is away. As always, we will not be accepting any request of holding on to your guitars to avoid any complications.
We apologize for any inconvenience caused.
We regret to inform that we will not be taking in any repairs till 21st August as KC is away. As always, we will not be accepting any request of holding on to your guitars to avoid any complications.
We apologize for any inconvenience caused.
Tuesday, July 28, 2009
Zorb- It
The Zorb-It is now in stock, you can check them out at any of our Maestro outlets.
The Zorb-It is arguably the ideal solution to all your humidity related problems.
Singapore's humidity is almost always close to 80%, which is far too 'wet' for your prized guitars. High humidity levels can cause your guitar's belly to 'bloat', the neck to warp and the moisture can also seep into the wood and cause your guitar to sound horribly heavy and damp.
The ideal relative humidity levels for the well-being of our guitars is around 50%-60%.
In Singapore, most people would either resort to using common household desiccants such as Thirsty Hippo etc.
However, there are a few fatal problems with these common household desiccants.
The first point is most prevalent to us Singaporeans, they are not cost-effective. These desiccants have to be replaced every few days or weeks. And they are not exactly dirt-cheap either.
Each Zorb-It packet is re-usable, and they can last you 5-7 years on average.
The small 2x2 Zorb-It packets costs a mere $8, and the larger 4x4 one is only $18.
Now is that dirt-cheap. Say if you purchase the 4x4 Zorb-It for $18 and use it for 5 years, that is a mere $3.60 per year, or $0.01 per day. And think of all the hassle, effort and time you will save. Now that truly is priceless.
Second point, desiccants such as Thirsty Hippo do not work well for guitars and instruments in general as they are not designed for such purposes.
In fact, they can do more damage than good.
Why? That is because the sole purpose of ordinary desiccants is the bring the humidity level down to ZERO%. That makes it too 'dry' for your guitar, which thrives best at at humidity level of 50-60%.
Furthermore, ordinary desiccants have a very small capacity to absorb moisture. So when exposed to very high humidity levels, they are fully saturated with water vapor extremely quickly. And then, they just stop functioning.
So the humidity level drops temporarily, then bounces back up again. This fluctuation of the humidity level can be potentially destructive to your guitar.
In essence, these desiccants do not effectively maintain a constant relative humidity of 50-60%.
However, the Zorb-It does.
It has a water retention rate that is 1000% higher than normal desiccants. And, it works both ways. It can absorb water-vapor and it can also provide moisture to the area in which it is governing. So the humidity level in your guitar's hardcase is always maintained at an ideal humidity level of 50-60%.
All that is required is to place the Zorb-It in your guitar's hardcase and that is it.
Leave all the hard-work to the Zorb-It and concentrate on making your music!
For more information, check out the following links:
How does the Zorb-It works?
More in-depth technical info about the Zorb-It.
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